Crowded House

Reality Bites at 30: why the Gen X classic still stands up today

Retrieved on: 
Domenica, Febbraio 11, 2024

“I was really going to be something by the age of 23,” says Lelaina Pierce, played by the radiant Winona Ryder in the 1994 Gen X classic Reality Bites.

Key Points: 
  • “I was really going to be something by the age of 23,” says Lelaina Pierce, played by the radiant Winona Ryder in the 1994 Gen X classic Reality Bites.
  • Lelaina is a dissatisfied university graduate confronting the realities of life after graduation while making a documentary about her equally disaffected friend group.
  • Reality Bites continues to resonate with new generations of viewers.

A film for Gen X

  • Hawke’s brooding intellectual and Ryder’s luminous yet sardonic girl-next-door established personas for the duo that persisted throughout the decade.
  • Read more:
    Nostalgia, VHS and Stranger Things' homage to 80s horror

    The themes of the film are surprisingly relevant given the generational differences between audiences of the early 90s and today.

  • Despite clear generational differences in fashion, lifestyle and music, the response to the film by new audiences tends to be one of resonance and recognition.
  • Spoiler Alert: Lelaina forgives him for leaving, and their embrace and kiss is one of the final images of the film.

A worthy rewatch

  • Watching the film as an adult who is closer in age to Lelaina’s parents, the choice is less clear.
  • Whichever side you end up taking, the film’s rocking soundtrack, charming performances and snarky humour make it a worthy rewatch.
  • Read more:
    Baby boomers, Gen X, Millennials and Gen Z labels: Necessary or nonsense?


Adam Daniel does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Inspiration, influence and theft: what the Ed Sheeran case can tell us about 70 years of pop music

Retrieved on: 
Venerdì, Maggio 5, 2023

Earlier today, a US court ruled in favour of singer-songwriter Ed Sheeran, agreeing his song Thinking Out Loud did not breach musical copyright.

Key Points: 
  • Earlier today, a US court ruled in favour of singer-songwriter Ed Sheeran, agreeing his song Thinking Out Loud did not breach musical copyright.
  • The high-profile court case, brought by the estate of soul singer Marvin Gaye, claimed Sheeran’s song was too similar to Gaye’s song Let’s Get It On.
  • In this case against Sheeran, the song’s chord progression was at the heart of the claim.
  • This chord progression and many others are part of the songwriting toolkit of rock and pop and have been heard continuously over the past 70 years.

The 12 bar blues

    • One of the oldest chord progressions in pop is the 12-bar blues – a looping pattern of three chords that is very identifiable.
    • More recently, Lizzo’s Better in Colour uses the 12-bar blues in a way that makes an old formula fresh.

The ‘doo-wop’ progression

    • The “doo-wop” progression has appeared in pop music for close to 80 years, and is named because most doo-wop songs feature this chord progression – it was an essential part of its sound.
    • Comedy act Axis of Awesome use a similar progression in their video for 4 Chords, where they cleverly play almost 50 different songs with a variation on these four simple chords.

The I-IV-V (the ‘one, four, five’)

    • Perhaps the most common chord progressions in rock and pop are those that use the I, IV and V chords in various combinations.
    • They’re usually the first three chords you learn on an instrument and open up thousands of songs to play – from the rock and roll of Summertime Blues by Eddie Cochran, the garage rock of Wild Thing by the Troggs, the bubblegum of Hanson’s Mmmbop and the indie rock of Coldplay’s Yellow, to the modern pop of bad guy by Billie Eilish and good 4 u by Olivia Rodrigo.

Going forward

    • Rock, pop, blues, doo wop and other musical genres can often be defined by their use of repeated chord progressions.
    • These chord progressions are part of a songwriter’s toolkit in a similar way to how an artist may use different paint brushes.
    • It also acknowledges that influence and inspiration from previous works are part of the construction of the pop music we love.

MPress Records Releases A Fragile Tomorrow's Track/Video "All Signs To Amsterdam" Ahead Of New Album

Retrieved on: 
Lunedì, Giugno 6, 2022

NEW YORK, June 6, 2022 /PRNewswire-PRWeb/ -- MPress Records has just released "All Signs To Amsterdam", the second track/video by A Fragile Tomorrow ahead of the highly anticipated release of their new album, It's Better That Way (out July 15th). Ultra cool and wild, the video – a combination of performance directed by Ted Comerford and animation by Max Werkmeister (whose super flying psychedelic mermaid is the star) – brings this hook-driven song to an unforgettable level. The song/video premiered in xsnoize magazine.

Key Points: 
  • NEW YORK, June 6, 2022 /PRNewswire-PRWeb/ -- MPress Records has just released "All Signs To Amsterdam" , the second track/video by A Fragile Tomorrow ahead of the highly anticipated release of their new album, It's Better That Way (out July 15th).
  • A Fragile Tomorrow consists of brothers Sean Kelly (singer/songwriter/guitarist) and Brendan Kelly (guitar/songwriter/pedal master), Shaun Rhoades (bass), and Josh Kean (drums).
  • Of the album, Sean Kelly explains, "It's really an amalgamation of everything we love and everything we're interested in exploring.
  • I think it's a term that throws genre out the window, which is something that appeals to me."

MPress Records Releases A Fragile Tomorrow's Track/Video, "Lost In Art", Ahead of Forthcoming Album

Retrieved on: 
Lunedì, Maggio 16, 2022

NEW YORK, May 16, 2022 /PRNewswire-PRWeb/ -- MPress Records has just released "Lost In Art", the first track/video by A Fragile Tomorrow ahead of the highly anticipated release of their new album, It's Better That Way (out July 15th). Directed and produced byTed Comerford, and filmed at Dreamland Recording in West Hurley, New York. "Lost In Art" features AFT and Peter Holsapple. Premiered by The Big Takeover, the heartfelt/rocking performance shows the band at a lyrical and musical pinnacle which manages to capture both a personal and universally plaintive anthem.

Key Points: 
  • Directed and produced byTed Comerford, and filmed at Dreamland Recording in West Hurley, New York.
  • Musically, (being my favorite songwriter) it is an attempt to do something in the vein of Neil Finn's solo work."
  • A Fragile Tomorrow consists of Sean Kelly (singer/songwriter/guitarist), Brendan Kelly (guitar/songwriter/pedal master), Shaun Rhoades (bass), and Josh Kean (drums).
  • Of the album, Sean Kelly explains, "It's really an amalgamation of everything we love and everything we're interested in exploring.