In Killers of the Flower Moon, true crime reveals the paradoxes of the past

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Martin Scorsese’s latest film Killers of the Flower Moon is based on a 2017 book of the same name by David Grann that chronicled a true story of Osage Indians being systematically murdered in the 1920s.

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https://theconversation.com/in-killers-of-the-flower-moon-true-crime-reveals-the-paradoxes-of-the-past-210283https://theconversation.com/in-killers-of-the-flower-moon-true-crime-reveals-the-paradoxes-of-the-past-210283
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星期二, 十月 17, 2023
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Foot, Birth, Mailer, Juhan af Grann, The New Yorker, Father of the Bride (album), Doctor of Philosophy, Myth, Record, New Yorker, Yale University, Suggestion, Tulsa Tribune, Western United States, FBI, Heart, White, Crime, Man, Punctilious, Hage, Leonardo DiCaprio, Aviator, Cannes Film Festival, Killers of the Flower Moon, Bureau, Wilderness, Osage Nation, Growth, Old South, Cannes, American studies, Drama, History, Interview, Department, Time, Rosetta Stone, Ambiguity, Wager, Violence, Investigation, Racism, Film industry, Book, Drug, Hunting, Killers, New Journalism, Fear
Geotags: 
KANSAS, UNITED STATES, TEXAS, AUSTRALIA, OSAGE, OKLAHOMA
摘要
Key Points: 
  • Martin Scorsese’s latest film Killers of the Flower Moon is based on a 2017 book of the same name by David Grann that chronicled a true story of Osage Indians being systematically murdered in the 1920s.
  • This oil brought enormous riches to the Osage people, who legally enjoyed “headrights” to land that could not be bought, only inherited.

New Journalism

    • His bestselling book was based around the principles of New Journalism, which developed as a popular literary genre during the 1960s in the hands of writers such as Truman Capote, Tom Wolfe and Joan Didion.
    • They typically eschew the more closeted dimensions of experimental fiction to engage openly with the public world.
    • The third and final section of the book, titled “The Reporter”, boasts an epigraph from William Faulkner’s novel Absalom, Absalom!

The mythology of West

    • During the investigation, the Bureau of Investigation – the precursor to the FBI – regarded a rancher named William Hale as the “lone mastermind” of the killings.
    • He quotes an Osage tribe member as saying the white community considered murdering an Indian as merely akin to “cruelty to animals”.
    • He suggests that such illegal forms of brutality were always embedded at the heart of the mythology of the American West.
    • This narrative complexity has interesting repercussions for the debates around the question of “truth-telling” in the fraught conditions of contemporary Australia.
    • White’s memoir was rejected by publishers, but many years later it did morph into a fictionalised version by Grove entitled The Years of Fear (2002).

New light

    • The director remarked in a recent interview with Deadline that he was more interested in exploring the story’s “mystery” than reproducing “a police procedural”.
    • He casts the two men as charismatic villains with one foot in the old Wild West.
    • He has explored capitalism’s dangerous proximity to criminal activity in films such as The Aviator (2004), starring DiCaprio as Howard Hughes.
    • Its depth of archival research shines new light on a distressing but not entirely anomalous episode in the recent American past.
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