What should the Australian War Memorial do with its heroic portraits of Ben Roberts-Smith?
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Monday, June 5, 2023
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Justice Anthony Besanko ruled the newspapers had established, by the “balance of probabilities” (the standard of evidence in a civil lawsuit), that Roberts-Smith had committed war crimes.
Key Points:
- Justice Anthony Besanko ruled the newspapers had established, by the “balance of probabilities” (the standard of evidence in a civil lawsuit), that Roberts-Smith had committed war crimes.
- Following the ruling, much public debate has focused on what the Australian War Memorial should do with Robert-Smith’s uniform, helmet and other artefacts of his on display.
The case of the oil paintings
- The memorial also has two heroic oil painting portraits of Roberts-Smith by one of Australia’s leading artists, Michael Zavros.
- These paintings were commissioned by the memorial in 2014.
- Pistol Grip (Ben Roberts-Smith VC) is a larger-than-life-sized depiction of Roberts-Smith, camouflage arms outstretched, mimicking the action of holding a pistol.
Moral and ethical ambiguity
- In 1992, the Canadian Airborne Regiment was deployed as peacekeepers to Somalia.
- In 1993, 16-year-old Shidane Arone was found hiding in the Canadian base, believed to have been stealing supplies.
- Master Corporal Clayton Matchee and his subordinate Private Kyle Brown were charged with his murder and torture.
- It addresses an ethical grey area many soldiers face during active service when the hierarchy of command comes into direct conflict with conscience.
The complexity of contemporary art
- Brandon’s curatorial decision to display Kearns’s Somalia paintings strike at the heart of what is special and important about contemporary war art in a national museum.
- Contemporary art presents ethical and moral complexity, grey zones and a range of perspectives.
- The portraits should be displayed in ways that address this complexity, capturing the evolving story of Roberts-Smith in explanatory wall text.
- The most compelling contemporary art works – and the most valuable museum displays in our national institutions – are those that consider our complex stories, raise important and self-reflective questions, and challenge simplistic narratives.