Big Writing

The Tao of Chinese Calligraphy is the Way to the Whole World

Retrieved on: 
Saturday, October 16, 2021

This exhibition focuses on China Academy of Art's professor, Wang Dongling's 60-year exploration of calligraphy art, from traditional calligraphy to other styles such as Chaos-Writing (Entangled Calligraphy), Big Writing, Silver Gelatin Calligraphy, Calligraphy on Bamboo Stalks, Calligraphy using immersive virtual reality, and so on.

Key Points: 
  • This exhibition focuses on China Academy of Art's professor, Wang Dongling's 60-year exploration of calligraphy art, from traditional calligraphy to other styles such as Chaos-Writing (Entangled Calligraphy), Big Writing, Silver Gelatin Calligraphy, Calligraphy on Bamboo Stalks, Calligraphy using immersive virtual reality, and so on.
  • In October 2015, Tim Cook, CEO of Apple Inc., came to Hangzhou and paid a visit to Wang Dongling to learn Chinese calligraphy from him.
  • He never regards calligraphy as a kind of legacy, but promotes the open, experimental potential of calligraphy so that calligraphy, as an ancient art form, can become a member of the contemporary art world.
  • For calligraphy, he has a grand vision: to revitalize the great tradition of calligraphy for contemporary audiences, to spread the Tao of calligraphy in Chinese civilization to the whole world.

The Tao of Chinese Calligraphy is the Way to the Whole World

Retrieved on: 
Saturday, October 16, 2021

HANGZHOU, China, Oct. 16, 2021 /PRNewswire/ -- The exhibition "From Inception: Wang Dongling 60 Years of Calligraphy" opens at the Zhejiang Art Museum on October 16, 2021. It focuses on China Academy of Art's professor, Wang Dongling's 60-year exploration of calligraphy art, from traditional calligraphy to other styles such as Chaos-Writing (Entangled Calligraphy), Big Writing, Silver Gelatin Calligraphy, Calligraphy on Bamboo Stalks, Calligraphy using immersive virtual reality. The long span of time covered by the exhibits, the diversity of styles, the depth of academic research, and the novelty of media experimentation are unprecedented in both Wang Dongling's exhibition history and in Chinese calligraphy exhibition history.

Key Points: 
  • The long span of time covered by the exhibits, the diversity of styles, the depth of academic research, and the novelty of media experimentation are unprecedented in both Wang Dongling's exhibition history andin Chinese calligraphy exhibition history.
  • The hanging scrolls in four scripts in Exhibition Hall No.6 showcase the six decades' creative journey of Wang Dongling.
  • He initiated the project "Big Characters Travel the World," a plan to construct writing scenes of Chinese calligraphy at art institutions worldwide, promoting academic communication between calligraphy and international art circle.
  • In his view, Chinese calligraphers must enter the scenes of international art for mutual illumination and inspiration in cross-cultural exchange.