- My obsession for public pools began when I was growing up in Perth at the iconic 1960s Beatty Park.
- So, I was looking forward to Black Swan State Theatre Company’s new production The Pool, and it doesn’t disappoint.
Watching on from poolside
- Given Perth’s current heatwave, this venue is welcomed.
- Seated poolside, we observe the goings on in and around the pool just as Rodgers did.
- Loved-up teens Safiyah (Edyll Ismail) and Ananda (Tobias Muhafidin) are escaping the censuring gaze of adults.
- The over-60s trio of Roy (Geoff Kelso), wife Greta (Polly Low) and her buddy Val (Julia Moody) are healing their ageing bodies and family rifts.
- Keeping these regulars afloat are poolside staff Kirk (Joel Jackson) and Sandra (Kylie Bracknell) with their own reasons for being there.
Passion for the pool
- Rodgers’ passion for water and the pool washes through his play.
- She has achieved this in The Pool with details that blur the distinction between reality and theatre.
- As we are ushered into the space, swimmers are in the pool, prompting somebody near me to speculate on whether they were actors or actual lap swimmers.
- The actors’ movement in and around the pool and their entrances and exits are carefully choreographed not only to retain focus on the main action but to replicate the rhythms and patterns of people at public pools.
- The Pool is greatly enhanced in its subtle shifts away from realism.
- Champion picks up on the aesthetics of the public pool, focusing on the sensuality of its water and beauty of its objects: handrails, ramp, deckchairs and lane ropes.
A place of connection
Crucial to all this is the audio. The use of headphones for the audience creates an intimacy with the characters. Composer and sound designer Tim Collins’ finely nuanced score supports the action without dominating, and without any hitches.
- This production shows they are also a space where we can have a laugh, shed our skins and find or lose ourselves – and ultimately find connection with others.
- Read more:
Take a plunge into the memories of Australia's favourite swimming pools
Helen Trenos does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.