The rise and 'whimper-not-a-bang' fall of Australia's trailblazing rock press
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Monday, October 2, 2023
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But there really was a time when exposure to culture was mediated by curators who had far too much power over what we all saw, heard or experienced.
Key Points:
- But there really was a time when exposure to culture was mediated by curators who had far too much power over what we all saw, heard or experienced.
- We had a film press, a television press, a literary press – and a music press.
- Nonetheless, I would read rock publications voraciously and I never passed up the opportunity to contribute.
- There were also things that Fell failed (or perhaps chose not) to include.
Molly, Lily and Go-Set
- Set up by university students, whose only prior experience was Monash University’s paper, Go-Set quickly filled a need for information and connection among pop fans.
- Enthusiastic writers like Lily Brett, Ian (Molly) Meldrum, Johnny Young and Douglas Panther conveyed the inside story of the lives of musicians and celebrities, while maintaining a particular accessibility for their “teens and twenties” readers.
- Go-Set’s publisher, Philip Frazer, went on, in a haphazard way, to bring a Rolling Stone franchise to Australia.
Street papers: ‘uniquely Australian’
- Their extensive advertising revenue from venues, record companies and related industries allowed these publications to be provided at no cost.
- The street paper killed RAM and Juke, not by being anywhere near as good, but far, far cheaper.
- Fell loves the “street papers”, and one gets the sense he would happily have written about them alone.
- Read more:
How a 'pot-smoking, acid-gobbling smart-arse' became the producer behind some of Australia's greatest music
Undeniable soap operas
- What’s the word for respecting an author’s restraint, while wishing there was just a bit more goss within their pages?
- Of course, there were many links between the producers of music magazines and the people they wrote about.
- By links, I don’t just mean romantic or domestic entanglements, though I do mean that, of course.
- There are also great, undeniable soap operas.
- A public spat between Steve Kilbey of The Church and music journalist Stuart Coupe in the early 1980s springs to mind.
Smash Hits and Rolling Stone
- Back to the topic of Countdown: Fell pays its competitor, Australian Smash Hits, minimal notice.
- Fell didn’t talk to anyone from (or even really about) Australian Smash Hits.
- Rolling Stone has, of course, a 50-year history in Australia.
- Whereas Australian Smash Hits was often criticised for including content from its British parent, the first decade of Rolling Stone in this country was typically little more than a distillation of old cut-and-pastes from the American magazine.
‘I thought it was sci-fi nonsense’
- I was impressed that he believed it, but I thought it was sci-fi nonsense.
- Of course, there is still a music press: look at the preposterously overblown global influence of Pitchfork, for instance.
- In Australia, the music press only takes print form in the most boutique of varieties, like Melbourne magazine Efficient Space.